Renoir's penchant for portraiture attracted the attention of a range of patrons with avant-garde sensibilities. From the politically radical pastry cook Eugène Murer to the wealthy society lady Madame Georges Charpentier, Renoir painted all of his patrons with affectionate charm. One of the most splendid and ambitious portraits Renoir ever realized, the painting of Marguerite Charpentier with her children blends a modern informality and intimacy with the compositional rigor of an old master portrait. The painting also prominently displays the Charpentiers' advanced taste for Japanese arts. Portraiture sustained Renoir financially, especially after the Charpentier painting was exhibited at the 1879 Salon to great success. Renoir, in fact, met one of his best patrons, the banker Paul Bérard, at Mme Charpentier's home. They became very close—Renoir painted all of his children and visited the Bérards' country house in Wargemont regularly, where he explored other genres such as seascapes and luxuriant still lifes.